Archive for the ‘Park Hill’ category

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A bright future ahead! by Tom Lawrence

Monday, February 8th, 2010

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Anyone with an interest in Park Hill has probably had their say this week on the very colourful new additions to the building.

The original building, which was developed in the 1960s, featured distinctive brickwork. Constructed in four bright colours, each row of brick represented a ’street in the sky’ and ranged from plum, terracotta, beige and ivory. As the largest Grade II* Listed building in Europe it was really important that the redeveloped Park Hill retained this distinct element so that’s why we feel incredibly proud to have delivered something that emulates the original form.

Something we’ve also done is to flip the proportions around, changing the windows from two-thirds brick and one-third window in the original building to two thirds glazing and one third solid panel in the modern version, thus flooding the apartments with natural light. These panels are anodised aluminium, a fantastic material, that offers a fabulous sparkle and lustre, which alters in appearance depending on the light levels and the angle they are viewed from.

The most exciting achievement though is that for the first time people can see how the regenerated Park Hill will appear in the future – bright, bold and beautiful! Let us know what you think about the panels below or alternatively register your interest to find out more as the scheme progresses!

How best can our Northern Cities mature through their teenage years by Tom Bloxham MBE

Wednesday, January 20th, 2010

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This is a blog which was originally published on the Centre for Cities website as part of a series of blogs on the outlook for cities in a new decade.

2010 is the start of the teenage years for Northern Cities and our city policy over the next couple of years will determine how they develop and mature.

Over the last two decades a huge amount has been done in revitalising city centres, the likes of Urban Splash celebrating high quality, contemporary architecture; restoring historic mills and warehouses, bringing people back to live in city centres and reversing the flight of jobs outside of the city. Enlightened local and national Governments have helped build new galleries, theatres and concert halls to spice up the cultural offering.

The city centres of 2010 are unrecognisable from those of 20 years ago. Urban ‘blight’, ‘urban decay’ and ‘urban problems’ have been replaced with new buildings, new residents, new businesses and new cultural offerings. Much has been achieved but these cities are now highly impressionable teenagers who could go in a number of directions. For all the success of the last 20 years in regeneration, there’s still a lack of families and primary schools and other essential services and although regeneration has been completed in core city centres you only have to walk a few hundred yards from them to find a donut of deprivation.

If the cities are to mature, we need to see continuous investment and the creation of real regeneration in the social housing estates. It’s not just a lick of paint, new bathrooms or new kitchens, we need to see genuine ways to tackle Victorian terraces such as Chimney Pot Park, 1960s council estates; such as 3 Towers, the Cardroom Estate and Park Hill and we need to find new financial ways to do this.

The days of regeneration being funded as a spin-off to private sector led development are over for the time being and we need to continue the innovative work of organisations like the Homes and Communities Agency and regional development agencies with whom we can look at new funding models.

There are no easy answers but I hope that the work of Centre for Cities (which I’m proud to Chair) will help the Government and industry better understand how to grow and develop cities through their teenage years to develop into mature, family-friendly, adult cities.

20 years of Warp records (a very SoYo affair)

Monday, October 5th, 2009

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The long gone, industrial haze that descended on the city of Sheffield for many decades provided not only the impetus to build high rise ’streets in the sky’, but also a proverbial shield from mainstream mediocrity. Independent artistic movements flourished.

The resulting impact on modern culture has influenced the worlds of architecture, design, film and music. The latter of which has one dominant Sheffield connection – the Warp record label. Born out of a converted cutlery shop in the Devonshire Quarter, it has sold millions of records worldwide.

Last weekend marked 20 years since Warp Records was born. An amazing chain of birthday events were chosen, held at locations synonymous with Sheffield - an industrial warehouse party, an open air cinema at Park Hill flats and a gargantuan rave in a converted steel mill.

Park Hill was perfect; its curving elevations provided an amphitheatre for a very atmospheric open air presentation of Warp films throughout the years. Its graphical references of Russian Constructivism in the early (Designers Republic) promotional material contrasting against the Brutalist backdrop.

Well attended by families, residents, scenesters and ravers from ‘back in t’day’ alike. Later in the evening the bar dried up and all scooted off to the next event.

What an amazing weekend party, now, can someone fill in the gaps in my memory?

If you missed the event but want to know what’s next at Park Hill, register your interest here.

A career in the spotlight at Park Hill, Sheffield

Monday, August 24th, 2009

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We’re currently on the hunt for a new QS to join our Yorkshire team, a great opportunity as the person in question will be working on Park Hill in Sheffield – the largest grade II* Listed building in Europe, and one of the most significant developments in post war Britain.

The building is key to the development and history of architecture - so much so that if you’re an architect it’s a compulsory study topic! It was inspired by the legendry Swiss-French Architect Le Corbusier but the current redevelopment has been designed by Studio Egret West, Hawkins Brown and Grant Associates.

Its status means that it attracts attention from all over the world, and in recent years our work in redeveloping Park Hill has been very much in the spotlight, with the BBC and local paper the Sheffield Star just two of the recent commentators on the scheme’s transformation (it’s also going to be on BBC2 on Monday 31st August!). So if you want exposure on a national level and huge career satisfaction this is the place to be.

We’re also really proud to be able to tell our story and continue the building’s development, something that’s been greatly helped by our relationships with public partners such as the Homes and Communities Agency. This means that we can move on and fulfil our plans of delivering almost 1000 new apartments for Sheffield over the next ten years – something that our new QS can play a major part in!

I spend a lot of my days working in Sheffield at the scheme and can honestly say that the building consumes you from the moment you arrive. Working here means that you’ll bore your nearest and dearest with every detail; no two days are ever the same.

So if you are a suitably qualified QS and want to join our team and make Park Hill happen then visit our Urban Splash jobs page. Have a look around the site too and you’ll see that our passion for listed buildings and this kind of architecture goes beyond Park Hill – we’re also working on the Grade I listed Royal William Yard in Plymouth (as link), the Grade II listed Lister Mills in Bradford and the Grade II Matchworks in Garston near Liverpool.

Is there a future for regeneration? by Tom Bloxham MBE

Friday, July 17th, 2009

This is an essay which was originally published as chapter 17 in a book called Regeneration in a Downturn published by The Smith Institute

The past 20 years have brought a phenomenal urban renaissance to Britain’s cities. They have undergone great regeneration, developing and changing at a pace unprecedented since Victorian times. The benefits of this change are palpable for anybody visiting our great Northern cities, but now there is a real danger this renaissance will come to a shuddering halt and the huge strides that have been made will go into reverse. There are some lessons to be learnt from this and some hopes for the future.

Investing in quality architecture
When I came to Manchester in the 1980s to study at the university, I was struck by the huge number of empty, drab Victorian warehouses. They were lying empty, unloved and blackened by generations of soot. If they happened to be occupied, it was typically only on the ground floor, often next to level car parks which, on investigation, were usually bomb sites left like that since the Second World War.

As I started in business, I noticed a paradox; the property industry said those Victorian buildings, which were mostly of great architectural quality, would never let and were not suitable for “modern uses”. In contrast, the small amount of new development occurring at the time was, to my mind, of poor architectural quality, expensive to lease and largely institutional. Owners only wanted to lease to established companies with good covenants.

I started in the property industry – not even knowing what a covenant was – by leasing or buying those old, unloved buildings and exposing the great Victorian features that lay hidden inside them. We leased them to young, entrepreneurial, creative companies; first as retail space at Afflecks Palace in Manchester and The Palace on Slater Street in Liverpool, later as workspace in buildings such as Ducie House in Manchester and finally as residential loft apartments, such as Concert Square in Liverpool and Smithfield Building and Sally’s Yard in Manchester. This brought in a new generation of people, who wanted to live, work, eat, drink and have fun in city centres that had, until then, been empty beyond 6pm.

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Concert Square, Liverpool

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Smithfield Building, Manchester

Forward-looking civic leaders added to the city-centre vibrancy. They made great use of the new lottery funding, investing in a series of great cultural buildings: theatres, concert halls and galleries. By the mid 1990s, large developers and house builders, seeking to follow the success of niche firms such as Urban Splash and Manhattan Loft Company, entered the market, where they saw money was to be made. House prices rose, and a financial model emerged of pre-selling apartments off-plan and securing development finance, with debt from banks on the strength of planning permission and pre-sales. A mass of developers entered the race to refurbish every underused building and construct exciting new mixed-use developments on the former bomb-site car parks. The new residents who inhabited them brought great spending power into city centres. They paid council tax, and were often educated, articulate, active citizens. This encouraged councils to improve city-centre services and retailers to take advantage of a new breed of customer, who wanted all that the cities had to offer.

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Rotunda, Birmingham

Developers provided, through the buy-to-let market, a much-needed supply of quality (for the most part) private rented accommodation. They improved derelict buildings and replaced unsightly bomb sites with gleaning new architecture; sometimes very good, occasionally bad or, all too often, mediocre. But, whatever the architecture, they succeeded in rebuilding city blocks, fuelling the construction industry and bringing people into the city centres.

Lending – and building – comes to a standstill
In August 2008, the party stopped. Just before this time there had been murmurs of the market overheating. Prices had, in fact, been stagnant for a couple of years, with increases in headline prices being matched by increases in incentives and discounts offered by developers. But the autumn of 2008 saw the collapse of Lehman Brothers, the banking crisis and an almost immediate stop in both development and mortgage lending (in August 2008 mortgage lending was down 97% year-on-year). Inter-bank lending stopped and every financial institution tried to call in as much debt as possible. Individuals who, until then, had expectations of obtaining mortgages of 90%, 95% and even 100% of their properties now found it difficult to secure even 70% finance. Banks, which had previously been competing to lend us money, effectively closed up lending. By October 2008, even for sizable, very good commercial investment properties of, say, £50 million there were only four active lenders, only one of which was a household name. None were high-street banks and none would lend at more than 60-70% loan-to-value. No banks were lending on speculative residential developments.

Money does not make the world go round, but it does certainly keep the development industry going. In August 2008, the tap was literally turned off. The larger house builders all had to seek serious refinance, while smaller developers went into receivership after receivership. Individuals working in regeneration and the building trade, who only six months before had been in real short supply, began to lose their jobs.

So now, in 2009, where does this leave us? In many ways, nothing has changed. The values of good architecture, mixed uses, mixed tenure and sustainable development have never been more to the fore. The effective use of public-private partnerships has never been more necessary and the demand for quality housing is as great as it has ever been. Individuals are now renting rather than buying, because they either are unable to get mortgages or anticipate that values have further to fall. I believe that what is needed now is new forms of finance. It is no longer possible for local authorities to rely on private developers to subsidise regeneration through housing. No longer can new developments provide the locality with spin-off benefits through cross-subsidy section 106 agreements, nor can developers provide the required levels of affordable housing. If we are to see regeneration continue, we need stronger partnerships between the public and private sectors. The need for the public sector to take the lead has been recognised by the government, and the new Homes & Communities Agency has the potential to lead on this. Schemes such as Park Hill in Sheffield – where we have just commenced work on the first phase of the Grade II Listed building’s redevelopment – show that when the public sector is prepared to take the lead in a partnership even the most challenging regeneration project can proceed.

The current low land values and spare capacity in the development and construction industries provide a unique opportunity to try and help resolve the affordable housing shortage. In addition, giving a stimulus to the construction industry is a quick, easy and effective way to create employment, utilise skills and prevent the dole queues from growing.

Keeping regeneration going
Although the past 12 months have been an incredibly difficult period for the regeneration industry, I believe that the next few years will offer the best opportunities of my lifetime. In this next period, we can create a real difference and push the urban renaissance. At the moment, nothing stacks up in conventional development appraisals, so every scheme we do needs innovative thinking and innovative funding. We should be able to create some exceptionally interesting architecture and creative regeneration schemes in the next few years, but it will require a longer-term view on investment, and new forms of funding, with perhaps the public sector taking more equity stakes – sharing more of the reward as well as the risk – and working ever closer with good developers to create great neighbourhoods.

The past 20 years have seen the transformation of most of the major cities, but the job is far from over. The public sector and private companies must consider areas beyond the core city centres; within half a mile of most city centres lie doughnuts of deprivation most of which have not changed at all. There are exceptions, though. Successful regeneration has occurred in patches, such as, to give three examples from Manchester: the old 1970s Cardroom Estate in East Manchester which is being transformed into New Islington, the old Victorian Langworthy Road terraced houses in Salford that have been reborn as Chimney Pot Park and are home to a thriving community, and the former Dalton Street 1960s tower blocks in Collyhurst, now known as 3Towers.

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Chimney Pot Park, Salford

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3 Towers, Manchester

These schemes are the exception, not the norm, and there is a mass of social housing estates and Victorian terraces that still need to be transformed. The urban renaissance, as well as not affecting the doughnuts around city cores, has also bypassed many smaller towns. There are, again, exceptions; schemes such as Longlands in Stalybridge, Royal William Yard in Plymouth, the Midland Hotel in Morecambe and Lister Mills in Bradford show what can be achieved with catalytic schemes, giving confidence to run-down towns and smaller cities. However, without new forms of public sector support it is difficult to see how these sorts of schemes are to be tackled and how these towns can regenerate themselves.

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Midland Hotel, Morecambe

I believe that the regeneration industry is now at a crossroads. If we are not careful, our towns and cities will be allowed to go into decline. We will lose the momentum gained over the past 20 years. Skilled practitioners will lose their jobs and regeneration will be left only to the private sector – but the private sector will not have access to the finance or debt to develop, at least not in the locations where the renaissance is most needed. Alternatively, we can grab the opportunities, we can take the benefit of low land values and of spare capacity in the regeneration, development and construction industries in order to work now in true partnership to continue the urban renaissance and create wonderful new places in our towns and cities.

For more before and after images of Urban Splash schemes visit our Urban Splash Flickr page

My take on BBCs Park Hill documentary by Tom Bloxham MBE

Wednesday, May 6th, 2009

I came back from a bank holiday away to watch the Park Hill BBC2 “Romancing the Stone” documentary on iPlayer (I can’t believe I’ve started using the iPlayer, blogging and joining Twitter all in the same week – the 21st Century has finally has caught up with me!).

So what did I think..? No doubt it was good television. It certainly got a few laughs and raised the profile of Park Hill, giving the public a greater insight into what these projects involve!  I’m not sure any of the protagonists came out particularly well – either from English Heritage or Urban Splash.  And there was no mention of the people who really made this scheme happen, the HCA (maybe lucky for them!)

It’s disappointing that the programme stopped filming some weeks ago, before we finalised HCA funding and our development agreement, both of which have helped things really progress at Park Hill. It did, however, clearly illustrate the challenges and problems that beset a massive project like this. They’re never easy to deliver, even harder in today’s economic environment, but that doesn’t mean we shouldn’t try!

Someone once told me that the definition of success is the difference between expectation and delivery… This Park Hill programme has undoubtedly done an excellent job for us in managing people’s expectations! More importantly though, it’s made me even more committed to ensuring that we deliver our vision for Park Hill.

There are plenty of sceptics about and although I’ve never made a TV programme, I think it’s probably easier to make a documentary than deliver a project like Park Hill.  But we have already successfully completed several challenging schemes: Fort Dunlop in Birmingham, Royal William Yard in Plymouth, Lister Mills in Bradford, Chimney Pot Park in Salford, The Midland Hotel in Morecambe… given our track record I hope that the next Park hill documentary will be more positive.

Other reviews of the Park Hill programme can be found here: The Sheffield Star, BBC Look North, The Independent, The Sunday Times, The Guardian

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Parkie is starkers!

Tuesday, February 17th, 2009

Check out Park Hill in all her glory. The demolition team are working their way across phase one to reveal her bare bones!

Park Hill, Sheffield